Tuesday, May 29, 2012

Somewhere Beyond This


I find comfort in the cold of grey & its undertones
like waves, how the heat comes—goes
museums contain the best light, falling from their windows
they are built that way
I think of MoMA’s wall out to the garden even now
how my walls are still bare but carry shadows
well during the night


What are you doing & are you feeling better
the kind of words on the reverse of postcards from
cities with tall buildings
not enough room for a reply
the figure in the drawing, the girl who posed for the sculpture
people in profile
my hands showing their age
I have no half-moons in my nail beds so I look at yours


When the cold ends things will grow as they do
& the light will change back, hitting the street from this angle
where will we go I might ask, biting the corners of my mouth
someplace can’t be the answer
the blinds wave back 



[I wrote this based on a prompt that called for following the number of stanzas & lines of another poem, & then using a line from the original poem as the title. I used Frank O'Hara's Les Luths]

Friday, April 13, 2012

In Like a Lion, Out Like a Lamb

March was a busy month (art-wise) for me. I attended my first Armory Show (opening night at that) & visited a lot of new exhibitions. More in-depth posts to follow, for now enjoy my photos.

Checking in at The Armory Show

Sara & I & my red pants
The booth for the David Zwirner gallery. Very meta.
Nate Lowman, an artist in MoMA's collection, turned a membership email into a painting. My job is now art!
Came with high hopes, left with mixed feelings
Stand out piece from the New Museum's show by Adrian Villar Rojas
Degas at the Met
Mirrors at the Brooklyn Museum 
Keith Haring at Brooklyn Museum


Tuesday, February 28, 2012

Cindy Sherman | MoMA

Cindy Sherman opened at MoMA this Sunday & last Tuesday I was able to attend the opening reception. This exhibition has been generating a lot of buzz & the opening was well attended. 
I didn't think I was familiar with Sherman's work until I looked her up & came across her "Untitled Film Stills" series. These are a series of black & white photographs shot to resemble stills from films. The images were taken between 1977 to 1980, but reflect films shot in the 1950s and 60s. In these photos, Sherman takes the idea of the female character in film & pushes it further. She is the typical damsel in distress, the jealous housewife, or the shy yet sweet girl next door. Each photo captures a different character & a different emotion. Even in these early photos, Sherman is able to alter her appearance & change her personality enough so you don't think you've been seeing the same woman over & over. I like how this series acts as portraits of the roles women play on film, elevating them from objects of desire into flesh & blood figures that have lives beyond what the film shows.  


The entire series is on view within the second gallery of the exhibition--I need to revisit them since it was so crowded during the opening. Below are some of my favorites, taken from MoMA's exhibition site:


Untitled Film Still 51, 1979
Untitled Film Still 57, 1980
Untitled Film Still 59, 1980
Untitled Film Still 63, 1980


I feel the exhibition gives a nice overview of Cindy Sherman's work & makes effort to highlight her earlier work, so viewers can see how she has developed over time (pun not intended). Enjoy some of my photos of the opening below:


Entrance to the exhibition; the font changes every few seconds

Untitled Film Stills
Untitled Film Stills
Untitled #489, 1976. Read more here



Friday, February 10, 2012

Recent

I've been pretty terrible at keeping this place alive. Excuses aside, I'm making a vow to update more. So here are somethings of interest:




  • Last week I visited the Met's new galleries of Islamic Art. However, since I was camera-less, you can enjoy this old picture that was the background on my blackberry. I highly recommend visiting the new galleries--I enjoyed seeing something new at the Met & the illustrated manuscripts are amazing.


  • I never was much of a gallery go-er, but that's starting to change. On my last outing I went to David Zwirner to see On Kawara's date paintings. I want to do a more in-depth post about On Kawara's work, so for now I'll just post this one photo. 
  • Still working on this series, expect a post soon
  • Since I am so good at keeping this updated I started another tumblr: thepoint&theline. Follow it for more art. Also follow my regular tumblr teeth&things if you're up for it.




Thursday, December 8, 2011

Sanford Biggers | Sweet Funk: An Introspective

I recently wrote a piece for Gnome Magazine on Sanford Bigger's show, Sweet Funk: An Introspective, at the Brooklyn Museum. I went to visit the exhibition at the end of October & was given permission to photograph pieces in the exhibit. I wanted to wait until the piece was published to share these images.

This was the first time I was introduced to Bigger's work. Through his work he tries to reclaim & reconfigure images & themes associated with Black culture. This is evident in his usage of the wide mouth grin, which alludes to black face, or trees, which speak to the history of lynching. Other themes, such as jazz music & the piano, speak more about the contributions African-Americans have made throughout history. Sweet Funk is made up of nine sculptural installations, with a focus on Blossom (2007), which the museum recently purchased. Please read my piece to learn more!



Blossom (2007)

Lotus (2007)

Kalimba II (2002)

Still from Cheshire (2007)

Calenda (Big Ass Bang!) (2004)